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Notes On The Cinematograph
2 Wochen - - The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors-models, as he called them-and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson´s theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for students of the cinema, will also prove an inspiration, much like Rilke´s Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous. - Random House N.Y. - EAN: 09781681370248 - category_path: Bücher Fremdsprachige Bücher Englische Bücher - person: Robert Bresson - erscheinungsdatum: 15.11.2016 - einband: Taschenbuch - Radio#Fernsehen, TV - Kategorie: Buch (fremdspr.) - bei Thalia.de - Fremdsprachen - aus Affilinet Produktdaten

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Notes on the Cinematograph
- The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors-models, as he called them-and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson´s theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for students of the cinema, will also prove an inspiration, much like Rilke´s Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous. - New York Review Books - EAN: 09781681370255 - category_path: eBooks Fremdsprachige eBooks Englische eBooks - person: Robert Bresson - erscheinungsdatum: 15.11.2016 - einband: ePUB - eBook - Kategorie: eBook - bei Thalia.de - E-Books - aus Affilinet Produktdaten

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The New Filmgoer´s Guide to God
3 Tage - - Tim Cawkwell´s knowledge and experience of the cinema has been poured into his writings about it. Originally published in 2004, this new edition sees some substantial revisions: some previous material has been dropped and a lot of new material has been added, especially on more recent films. The whole text has been very significantly reshaped with the addition of images to support Tim´s writing. Dozens of films are referred to in this book, which finds new insights into the variety of religious narratives that different countries have produced. Those receiving more in-depth consideration include such masterpieces as The Passion of Joan of Arc, Rome Open City, Diary of a Country Priest, Winter Light, The Gospel According to St Matthew, Three Colours: Red, O Brother Where Art Thou?, Night Of The Hunter, The Funeral, The Samurai, A Man Escaped, In The Fog, The Word, Babette´s Feast, Silent Light, Andrei Roublev, The Colour of Pomegranates, Mother and Son, It´s a Wonderful Life, The Searchers, Hail Mary, The Banishment, Dead Man Walking, Tree of Life, Into Great Silence, A Canterbury Tale and Philomena. The aim of this new edition is both to explore the way religious narrative has produced a number of masterpieces from such major film-makers as Bresson, Dreyer, Rossellini, Tarkovsky and Kieslowski, but also to reflect on the way the core ideas of Christianity such as salvation, martyrdom and redemption continue to surface in films. Tim also explores the way that a cultural shift towards doubt about the value of religion and even hostility towards Christianity itself has revealed itself in films. Tim describes the way the different denominational contexts of Christianity such as Catholicism, Lutheranism and Orthodoxy differentiate films coming out of those contexts and considerably enrich the whole picture. The book pays particular attention to the way films are conceived and created with a view to illuminating their virtues as a visual medium. It is written in a sinewy but clear style and commends itself to anyone interested in the history of the cinema and in cultural changes since the Second World War. - Troubador Publishing - EAN: 09781783063840 - category_path: Bücher Fremdsprachige Bücher Englische Bücher - person: Tim Cawkwell - erscheinungsdatum: 25.04.2014 - einband: Taschenbuch - Kunst#Sonstiges#Kunst/Sonstiges#ART / Film Video - Kategorie: Buch (fremdspr.) - bei Thalia.de - Fremdsprachen - aus Affilinet Produktdaten

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Bresson on Bresson: Interviews, 1943-1983
- Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L´Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the ´´advances´´ of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing-in his view-art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson´s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as ´´Sound...invented silence in cinema,´´ ´´It´s the film that...gives life to the characters-not the characters that give life to the film,´´ and (echoing the Bible) ´´Every idle word shall be counted.´´ Bresson´s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson´s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: ´´It´s always ready to feel before it understands. And that´s how it should be. - New York Review Books - EAN: 09781681370453 - category_path: eBooks Fremdsprachige eBooks Englische eBooks - person: Robert Bresson - erscheinungsdatum: 15.11.2016 - einband: ePUB - eBook - Kategorie: eBook - bei Thalia.de - E-Books - aus Affilinet Produktdaten

rheinberg- buch.de inforius- bilder.de

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Bresson on Bresson: Interviews, 1943-1983 New York Review Books
Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L`Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors he shunned the `advances` of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers) and he minced no words about the damaging influence of capitalism and the studio system on the still-developing-in his view-art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson`s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as `Sound...invented silence in cinema,` `It`s the film that...gives life to the characters-not the characters that give life to the film,` and (echoing the Bible) `Every idle word shall be counted.` Bresson`s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson`s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: `It`s always ready to feel before it understands. And that`s how it should be. - Nonbooks/Geisteswissenschaften, Kunst, Musik/Kunst/Fotografie, Film, Video, TV - Bresson on Bresson: Interviews, 1943-1983: Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L`Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors he shunned the `advances` of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers) and he minced no words about the damaging influence of capitalism and the studio system on the still-developing-in his view-art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson`s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as `Sound...invented silence in cinema,` `It`s the film that...gives life to the characters-not the characters that give life to the film,` and (echoing the Bible) `Every idle word shall be counted.` Bresson`s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson`s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: `It`s always ready to feel before it understands. And that`s how it should be. - EAN: 9781681370453 - bei rheinberg-buch.de inforius-bilder.de - aus belboon Produktdaten

rheinberg- buch.de inforius- bilder.de

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